Meh. Getting flack from upstairs about our choice for Dad in 'The Car'. So the kid was nervous and flubbed a couple of lines. Also, our choice of play was "too local" and probably wouldn't resonate with the 'foreign' judges. That, they say, is likely to devalue our assessment, jeopardising our chances at the top tier. Solution: conscript a better speaker for roles in our plays. The advice is, of course, well-intentioned, but certainly targeted at a very different goal from the one I am aiming at.
What is it with leadership? The higher they climb, the shorter-term the vision. There is no use in teaching the unwilling when there are those eager to learn, but would never get the chance to learn if winning was our top priority. Reminder: we're not here to chase accolades, we're here to encourage a life-long love of the art.
What was most encouraging for me at yesterday's performance was when a member of the audience stopped me for a little chat. She revealed that she was a long-ago member of the NYeDC and if I remembered her. I could not. She looked so different from the girl I knew when she was performing in our 'Animal Farm' in 200x. But when she mentioned her name, I immediately knew her role as Clover, the horse. Today, she is with the Arts Education branch of the NAC.
To me, that is a better success story for our little Drama CCA than achieving a high placement in a meaningless competition, which is no longer even identifying itself as a competition.
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