A day at the races

Returned exhausted from the Singapore GP F1 Night Circuit qualifying round. Not there for the cars, I was there for the music. Made the rookie mistake of paying for a grandstand seat when all I really needed was a walkabout pass which would allow me access to the food and concert areas but not a view of the track.

Made good on my seat watching all 12 laps of the Porsche Carrera Cup -- one of the warm up races before the evening's main event. Some guy called Pereira won. Congrats! Abandoned my seat after that to explore the grounds.

Arriving early was an advantage. Short queues for food and toilets. For dinner, I got a $25 hamburger sando from Arigato. Medium rare burger patty topped with a cheese slice between two thick slices of white bread. It was delicious and generally kept its integrity throughout even though I was eating standing up and holding it in one hand, while being distracted by the commentary on the Jumbotron.

Wandered over to the Downtown stage to wait for the performance I paid for. It's a smaller stage, an offshoot from the main Padang stage where the big acts were performing. More on that later. I arrived at the end of a set by The Lathums (pic above). Don't know who they are but their music I could groove to. DJ Questionmark from Taiwan took over for the next hour. I went for dinner at this time.

When I returned, the peanut gallery was full of American looking and sounding people excited to party with Tom Grennan, another act I'm not familiar with. Still, his basic rock vibe was cool and had me bopping the whole time.

Tom Grennan took most of the crowd with him. I immediately advanced to about just five rows back from the stage apron, determined to hold my ground for an hour until the final performance of the night commenced. Meanwhile, the grand Padang stage lit up and sent powerful beats right across to us who were at the old Esplanade. Someone thoughtfully put on the Jumbotron in front of us so we could watch DJ Alan Walker do his thing. Surprisingly, watching a DJ do his thing is as interesting as watching a conductor wave his baton at prerecorded classical music. No disrespect, but Mr Walker twiddled knobs and waved his free hand theatrically, and that's it. At least we had something to entertain us while we waited. No complaints.

And finally, the moment I and the One have all been waiting for: BABYMETAL! Making a stop in Singapore on their current world tour via the F1, performing on a small, intimate stage, and me even closer than when I was at Zepp KL three years ago! It was a short but intense session featuring their most fun, upbeat concert favourites that had us all jumping, chanting, and chorusing along (badly) the whole 50 minutes. Mandatory pix taken from between raised arms holding phones and serious-looking cameras follow:

Sorry I couldn't get a decent pix of SU. The corner where MOA and MOMO stood to engage the crowd was the least blocked.

I'm actually amazed that the pix came out this well. Must be the optical zoom and low-light AI magic of the Pixel 10.

And to make the post longer, the mandatory setlist follows:

1. BM Death
2. Pa Pa Ya
3. Metali
4. Ratatata
5. Gimme Chocolate
6. From Me To U
7. Karate
8. Road of Resistance to close out. How the crowd was able to actually make a decent circle pit on SU's command also amazes me.

A day at the races, indeed.

A brief peek into METALVERSE

A surprise fancam drop of METALVERSE (don't call them CHIBIMETAL any more) performing at SummerSonic 2023 in Tokyo, presumably last night. Not three, but five members performing a three song set. The good news is that they present original music, and while the lore goes that they are an alternate universe version of BABYMETAL, thankfully they look and sound somewhat different from their renowned predecessors instead of being a carbon copy.

This performance shows METALVERSE has quite a task ahead of them to emerge from the immense shadow that their older sisters have cast. The major advantage BABYMETAL had starting out was the WTF factor in the fusion of metal, pop, choreography, the age of the performers, the other genres of music that got blended in the production studio like no one knew what they were doing. Yet the end product turned out to be a beautiful miracle rather than the disaster it could have been. BABYMETAL was a fusion of Frankenstein monster parts, but it was cared for, nurtured lovingly, allowed to grow with a life of its own, and eventually become its own thing that captured the imagination of the world.

METALVERSE's version of fusion metal looks like its been put together by people who have learned from their past experiments, and now know what they are doing. The production is slick and professional (other than being viewed on fancam footage), it's well rehearsed and delivers strongly in musicality and choreography. And that's the problem: second child syndrome. It lacks an edge from the risk that the whole thing could fall flat on its face, which would have made us appreciate the effort, commitment, work ethic, and belief that the entire production crew put into making a show that shouldn't work work. 

METALVERSE works right out of the box. The production looks effortless and by-the-numbers. It feels designed not to fail, so it's missing out on the underdog status that gets a crowd behind tiny but dedicated heroes giving their all to accomplish a nigh impossible task. Without having much to root for, the crowd sounded a bit passive when lead singer, Miko, tried to engage them in the third song. Also, her call was asking for a bit more sophistry than the audience was prepared to give. Had the response been more intuitively and organically baked into the music, the audience might have been more inclined to jump in.

There is nothing bad in this performance -- it was actually quite enjoyable. But at the same time, it looked and felt like everything was done for me, and so, having little else to contribute to the show beyond my applause, I was happy to just sit back and soak it in.

Still, this is only a little taste of what METALVERSE can do. We'll get a much better picture once they make their official debut in Tokyo on 24 August. Still hoping there's room for crazy.

Hearing protection

Going to a metal concert at my age means taking safety precautions. If I'm voluntarily getting myself blasted with heavy duty sonic waves, I'm going to be protecting my ears. I found this set of Alpine earplugs online, quite reasonably priced, and shipped over within 8-10 days via Lazada.

The plugs themselves are very soft, light silicone. They sit comfortably in the ears like there's nothing there. The magic is in the three sets of filters graded bronze, silver and gold, in increasing order of decibel reduction. The gold filters can be seen inserted into the earplugs, which I opted for, while the remaining two sets can be seen as the pairs of tiny white and silver coloured circles nested within the carry case.

The entire set comes with an extra earplug, a lanyard (stuffed in the mesh pocket), and a vial of cleaning fluid for after.

How did it sound? The music from the performance was perfectly clear, even with the most conservative filters in place, but probably because I was standing right in front where the speakers were. Perhaps further back in the stands a lower grade filter would have sufficed. Oddly, it was the crowd that sounded muffled, and when we engaged in audience participation, it sounded like I was the loudest voice in the venue. 

Awesome concert, no ringing in the ears afterwards. A highly satisfactory purchase.

BABYMETAL World Tour @ Zepp KL 2023

I was there. 'Live'. In person. VIP section. Weird, as the people who paid the most got to stand right in front of the stage where, in Shakespeare's time, the poorest people would have been standing. And the VIPs then would have been comfortably seated at the back, where today, the cheapest tickets are.

Unfortunately, this was the best shot I could get of the three in one frame. While SU and MOA are relatively clear, MOMO is blurred out due to movement. Photographs are literally shots in the dark, when lots of factors have to precisely align: Lighting, moments of stillness (which are far and few as they move around constantly without any signs of fatigue), and no random 'fox signs' or other mobile phones obstructing the view.

MOMO (Edit: nope, that's MOA. I didn't notice the dimples earlier) at least gets one good shot here, and probably my best one for the night. And what a night! Well worth the 6 hour bus ride up north, well worth the 90 minutes I spent on my feet waiting for the show to start, well worth cramming shoulder-to-shoulder in a crowd of 2000+ other BM fans (a.k.a. The One) when standing so close to people actually makes me uncomfortable.

The show comprised 14 songs, altogether lasting about an hour and a half. Each song was performed exactly the way it was always performed in their official and unofficial 'live' shows on YouTube, so perfectly coordinated, rehearsed, practiced, and polished. The only difference being that I. Was. There.

I even survived a couple of impromptu moshes. My research into metal concerts indicated that waivers had to be signed if I wanted to participate in a mosh pit, but no documents had been presented to me for my autograph. Yet, I knew that where I was standing was prime location for a wall of death, but as the crowd was well behaved, I thought nothing of staying where I was. But when 'Gimme Chocolate' came on, that's when the pushing and shoving began, without warning. So I leaned into it, nearly getting knocked off my feet a couple of times, but leaning on other people kept me upright as I carefully edged my way out of the pit. It may not have been my intention to get involved -- considering my age -- but I got what I paid for and consider surviving the experience a bonus. So I knew well enough to stay at the periphery during 'Road of Resistance' and the closing number, 'IDZ' during which moshing was expected.

I really admire these three women who brought so much life, talent, energy and joy to this small KL performance, when they've been performing almost every other night in a different city each time around Europe and Asia, and they have yet to start on their US leg before returning to Europe to close out the year. Just look at their tour schedule for 2023 alone!

The souvenirs I'm bringing home include a lanyard with VIP pass, an official promo poster, and an official bandana used for audience participation during 'Pa Pa Ya!' which I believe is the most fun song in the entire repertoire.

Finally, I can't believe I saw BABYMETAL in person. Yes, anyone can see them in person as long as they have a ticket. What I mean is that I found something that I really wanted to do, and I didn't let my laziness, inertia, excuses, apprehensions, and doubts stop me from planning out this little trip and seeing it through to the end. Not often I can say this to myself, but 'mission accomplished'!

Campus choir does the Vic

Just returned from a choral recital performed by our campus choir. It was a sold out crowd at the Vic, though with the number of choir-istas in the group, that's hardly surprising.

The performance was to showcase the repertoire they're bringing with them to the Czech Republic this summer. As far as singing as a choir goes, the kids have been well-trained. The first half of the show passed pleasantly enough with songs representing various languages and tonal textures. Personally, I was wondering why we don't hear our own choir more often. They are a competent lot, and they would benefit from more performance exposure in front of an audience.

The reason I say this is because the second half of the performance -- a dramatized rendition of "Beauty and the Beast" -- though musically sound, there was a clear lack of confidence in the presentation as a whole. The production values (especially the costumes of the mechanicals in the Beast's castle) looked like it took some effort to manufacture, but because they were ultimately just worn as labels it was hard to believe that the characters were household items magically brought to life.

Part of the problem was in the soloists being difficult to hear. Playing in the Vic requires miking, or really strong voices, as it's a relatively large space to play in. Sans amplification, their vocals didn't carry far and for us in the circle seats, it was "eh, what?" most of the time.

But they are choir, after all, and that's where the bulk of their training goes to. As long as they sound good together, that's the measure of their effectiveness. That they attempted a production that they have little experience in shows their spirit and a sense of adventure. That's a good thing. All they need is an audience to play to more often so that they understand what works and what doesn't.

Here, we don't have show choir, so I wasn't expecting "Glee", but playing to an audience is one way to build confidence, and that's the missing ingredient in tonight's show. Hope they gain some before they hit the Czechs.