The End: a critical commentary

I've finally figured out what's rubbing me the wrong way with 'The End', Lil Uzi Vert's collab with BABYMETAL. First, the song attempts to recapture BABYMETAL's child-like quality of 10-13 years ago, which in itself isn't a bad thing. But given the part they got to play in this song, it's just a caricature or a stereotype, at best, of the band they once were that this song is summoning.

The chorus in which we hear the girls' voices (or is it just SU's?) is cute and catchy, which is what we remember, but the lyrics are so literal, they're not even close to the relative sophistication of 'Doki Doki Morning', or their Sakura Gakuin songs from even earlier. 'Lalala... sing a song... sing along... love is all you need... we love all music' are just prosaic lines that mean exactly that. There's nothing to interpret, nothing to exercise the brain, or excite the heart, other than the solid hard-core metal behind them.

What I am most disappointed with is that this song fails to take seriously BABYMETAL as they currently are, and what they can now do. Instead, the production process to me feels like the girls were given some sheet music and told to sing it into some recording device for processing later, and the girls were nice enough to oblige. Looking at their world tour schedule for this year, perhaps that was all the time they had, anyway.

In comparison, 'Kingslayer' (harsh language warning) sounds more like a true collab between Bring Me the Horizon and BABYMETAL with the integration of their different strengths: sounds, styles, lyricism, imagery. There's thought and discussion apparent, resulting in a seamless throughline and a deliberate sense of artistry that synergizes the two bands in this one song.

Having said that, I still wish Lil Uzi all the best success in Pink Tape, their fourth album. Finding a new direction is difficult. I applaud the inspiration and courage behind the song, and appreciate its positive spirit. BABYMETAL started the same way.

The End... or the beginning?

A sudden, unexpected drop of new music from BABYMETAL just a few hours ago today. The girls feature in 'The End' by Lil Uzi Vert, a rap/hip hop artist of whom I am unfamiliar. The clip above is not a video, so it's hard to tell if all 3 METALS are involved in providing the chorus to this track.

This track sounds highly experimental in the attempt to merge hip hop with metal. The greater commitment is towards metal with a variety of electronic sound effects thrown into the mix. To me it sounds like a kid in a candy store making the noise of a bull in a China shop as he grabs everything he can carry because he can afford it all. Very enthusiastic.

BABYMETAL, themselves, sound completely manic, making me wonder if their vocals have been sped up. Their lyrics are sharp and clear, regardless, their voices cutting through the metal as always. The melody is cutesy, but the tempo makes me feel like I've had way too much coffee than is good for me. 'The End' ends with a music box, a sudden and jarring break from the metal, probably as an acknowledgement to the 'babies', which I thought felt more patronizing than appreciative.

It's nice of BABYMETAL to help a brother out ('brother' in reference to the generic expression, rather than to a specific gender) in exploring a fresh direction for his (their?) music. We are seeing some baby steps in Lil Uzi Vert's first attempts at distinguishing himself (themselves?) from within a highly competitive market, and we wish him (them?) all success in this bold new endeavor. Apologies for the parentheses. Lil Uzi self-refers in the plural but, linguistically, it's hell to wrap my pre-evolved boomer brain around.

Since this is my raw, initial reaction, let's just say that 'The End' (feat. BABYMETAL) will take some patience and several re-listens before I decide if I would put it in my playlist.