Saturday, May 23, 2009

Goodness graciousness!

Woke up at 0530. Quick rehearsal with script amendments at 0700 on campus. On-site rehearsal at 0845. Showtime at 0910. We were the opening act welcoming the GoH as he made his rounds through the five stations of the Circle Line. This is what he saw...

Please don't crowd the doors

Excuse me, the train is not for you to exungulate yourself in

Don't play on the train! Wait fall down, how?

Oh, this poor lady performing her "National Service". Won't someone give her a seat?

One polite applause later and we're ready to explore the rest of the Circle Line

Guess who had the tough job of following up our act?

Friday, May 22, 2009

Tech and fixes

Got an early preview of the new Circle Line subway system that brings public transportation right to the campus doorstep. We have long awaited this development and have watched eagerly every day as the construction mess that we have had to drive through for a couple of years slowly evolved into the steel-and-glass structure that started taking shape only a few months ago.

Today, I rode the train to visit three of the five stations to sound and tech check for tomorrow's little performance. It's great to work with a professional tech team. Whatever I ask for, I get. Head mikes? Check. Handheld wireless mikes? Check. Channel for sound FX? Open and check! Tech is ready to go, no worries. T -15 hours and counting...

Our patron fed back on our script, and did we ever get a taste of corporate interests clashing with our artistic aspirations. In attempting to inject humour in a potentially dreary morality play, we scripted some sequences and lines of conflict that our patron interpreted as not good for its public image.

Basically what our patron would rather we say was that if passengers wanted a more confortable ride, they have the means within themselves to do something about it. That prompted a hasty rewrite at about 2100 hrs tonight, and a mass email to all cast to note and adapt to the changes in a hurry. Ah, the nature of commissioned work.

Wednesday, May 20, 2009

Blooding the newbies, pt 2

After encountering a major hiccup that threatened to scuttle NYeDC's committment to the MRT project, the J1s are working quite enthusiastically on our little morality play again. Fortunately for us, it turned out to be only a scheduling difficulty that we could resolve and so our project lives on.

So good to see how the J1s are pitching in to get this performance going. Our dramaturgh has done some fine thinking on her script. From her rough concepts, the rest of the cast members were happily adding on their own bizarre interpretations as we workshopped the scenario today. Even my J2 directors, YuT and Nick have cast themselves in the project even though I said the J2s could take a rest this week.

And while this is going on, my laundry list of to-do items has expanded rather than shrunk. I am so looking forward to the June hols during which I hope to recover a smidgen of the sanity I am prepared to lose over the next week and a half.

Tuesday, May 19, 2009

Blooding the newbies

Running hot from Drama Night, NYeDC's next project is to put up a skit for the long-awaited opening of the Circle Line that will bring Mass Rapid transportation right to our doorstep.

Predictably, our patrons want us to present a moralistic tableaux enshrining the proper etiquette of commuter behaviour in trains and stations. No problem. We wanted to involve ourselves in community theatre and here we are -- under the media spotlight, no less.

The opening ceremony is being organized by our local broadcasting body, and somehow it's been decided that our item be among those performing in front of the VIPs. Yipes! As of today I have a rough concept for a script and no confirmed cast, but I have faith in my troops. Tina's offered to help out too, so we'll see how our first rehearsal will go tomorrow.

Monday, May 18, 2009

Hello, you're kinda' cute!

Derrick the Dealer tells me M2 is likely to be exported, but he doesn't know yet where to. Meanwhile, I've finally taken possession of new M2, and here he(?) is! We will probably be adjusting to each other for some time as we work out how our different contours are supposed to fit together. There's no second-skin feel to the cockpit yet.

New M2's dashboard is quite pretty at night, all lit up with a rather aggressive red display. As it is, it's still quite bright in the parking lot but the dash is already glowing like a cylon with orders to shoot on sight. Cool.

Sunday, May 17, 2009

Car wash day

It was a sombre little ritual we carried out with M2 as we carefully washed him with our own hands in preparation for the next stage of his journey.

Legally, I have ceased being M2's owner for a little over a week now. He belongs to Derrick the Dealer who, despite having paid in full for him, has been kind enough to let me continue driving him for now 'cos I have been too busy to collect the new M2.

But the day to part has arrived already. The exchange will take place at sundown tomorrow, new for old.

I should feel excited, itching to try out my new ride. But all I feel is sadness at the thought of a good friend moving on. Who knows where the road will take him? India? Thailand? The Philippines?  Or might I still be able to bump into him (not literally, of course) on the busy streets of S'pore? But I do know he has quite a few years of adventure left in him.

Dammit. No wonder I don't have many friends. Partings are so flippin' difficult for me.

My Oscar speech

Hadn't expected that it would end in tears, but the emotional release from watching all their effort, dedication, and everything else they invested physically and psychologically into the production culminate in the audience's appreciative applause
set the waterworks flowing for Yu T and Xuan2. They were tears of joy at having accomplished what had seemed like an impossible challenge for them who had taken a huge leap of faith in directing their own show despite their lack of theatrical experience beforehand.

The other two directors were dealing with it in their own way. Lin stood by her friends as they wept, offering support as best she could -- and Nick went off on his own to shmooze with the playwright of the play he directed. 4 amazing kids who have grown so fast in such a short time. I truly salute them and their ability to organize and motivate a team of such diverse talent to give off their best for two evenings of theatrical magic.

I am still amazed by how so many people were willing to pitch in to make "Timepieces" a success. The actors starting from zero experience to delivering confident performances took much time, practice and not a few sharp words from Tina; the props makers quietly toiling away unseen, so creative and resourceful in building our set from recyclable materials on a budget that was so economical I couldn't believe it when they handed me their bills for reimbursement; wardrobe and make-up who might have overrun their budget a bit, but worth it for the visual treat they created of the actors on stage; the spot-on serious and efficient backstage crew which changed sets so quickly that between-the-scenes blackouts were bearable; and the tireless, multi-tasking publicity crew who took on the jobs of collateral designers, bill posters, sales and marketing, accounts, front-of-house, and banquet staff, all led by my indispensible partner-in-crime, Sha.

The AVA crew was so completely integral to our production I have to credit the show as a collaborative project between our two CCAs. Our campus TV news crew put our "thank you/credit roll" video together and will be editing our opening night video which will make a nice souvenir for all of us involved, as well as for the playwrights who let us use their scripts royalty-free. It isn't easy to get so much inter-CCA support for a project, but our kids pulled it off so seamlessly.

I had professional help from Tina who provided the training for the actors and directors and also lent her overall expertise in putting the kids to work as if we were operating like a professional theatre company. She also brought in Matt for a session of voice training at which we discovered some very hidden talents from among our less prominent kids, and Ian who oversaw all the technical details -- lights, sound -- shuttling back and forth between us and his job tech'ing for the Shakespeare gig at Ft Canning.

One more person I have to acknowledge is June. She sourced out my thank-you tokens to the cast and crew when she had gone on holiday in HK earlier this year. Having lugged them all home, on the nights I couldn't be around to keep her company (several of those in the past two weeks or so) she painstakingly wrapped and labelled each one for a more personal touch.

Honestly, everyone in this production was fabulous. Now, being fabulous isn't my personal forte, but as the appointed CEO of this little theatre company, I really only had one job: to LET the people around me BE fabulous. And everyone was, outstandingly so. Thank you all so very much!!!

Btw, the photo above has nothing to do with our production. "Timepieces" deserved my full attention so my cam stayed sheathed in the theatre. The photo is to congratulate Cara on her wedding day (the S'porean one) today. She threw a lunch for us at the Copthorne Kings and that was my table in the pix. My heartiest congrats to Cara and Dave!

Friday, May 15, 2009

Curtain... 2009

Opening night has always been a magical experience, and this year's Drama Night has been no exception. From rehearsal weeks before right up to curtain tonight there was always something to worry over, some crisis to resolve.

But we opened to a warm crowd, so generous with their cheers and applause, so appreciative of the simple set pieced together on an extremely tight budget. It was the audience that made a big difference to the performance. It energised the performers who took it all in, playing at a level we hadn't yet reached at the dress rehearsal the night before.

Despite the worries, there was no real trouble at all. Everyone pitched in to help, even under no obligation. We had Estate and Security support which was particularly cooperative despite our schools being currently at Yellow Alert status. We had encouraging colleagues who kept our spirits up, plying us with food (thanks, Jojo) and Amy even pitched in to select and collect our reception items from Molly's -- cheap and good wholesale nonya kueh (Mel's recommendation). Speaking of Mel, she personally called in long-distance to wish us all a good show, and probably to remind us what a great time she's having in Poland.

In all the running around I was doing, I'd inadvertently left my cam at my desk, so for the first time, I was forced to watch the show through my own eyes rather then via a tiny LCD screen. Apart from a few minor technical hiccups, and mainly in overcoming the inertia of getting the show started -- it's boring to sit and watch nothing but curtain billowing in the air-conditioning updraft -- the show itself was magic. That is, the magic of previously disparate elements of movement, script, props, set, lighting, sound all coming together for once and seeing the story unfold as envisioned by my student directors of whom I am so proud.

One more show tomorrow night, to most likely a smaller audience. If we keep our heads and not get carried away by tonight's high, I'm certain we'll rock the house again and end our run with a bang. Looking forward to that, and maybe sleep too.

Wednesday, May 13, 2009

GP would be DADA

If JC was Hogwarts, GP would be DADA (Defence Against the Dark Arts). Quoting Prof Snape about his subject,
"Dark Arts are many, varied, ever-changing and eternal. Fighting them is like fighting a many-headed monster, which, each time a neck is severed, sprouts a head even fiercer and cleverer than before. You are fighting that which is unfixed, mutating, indestructible."
"Your defences must therefore be as flexible and inventive as the Arts you seek to undo." (Half-Blood Prince)
The kids are expressing some concern that our teaching methods are nothing like the methods that accorded them so much success at the 'O' Levels. Back then for them, it was straightforward: here's a chunk of text to study; reproduce it on the exam; congratulations, here's your 'A'.
That kind of study assumes that knowledge is finite and non-conflicting. That's the kind of knowledge that is adequate for a worker with a list of daily tasks that won't change over time.
But it simply won't do for the kids at JC level. These are the kids destined to be our future professional decision-makers. They're young, gangly, squirming at their desks, but in not too many years from now they'll be our engineers, architects, lawyers, politicians, doctors, entrepreneurs and probably teachers as well. Many of them are likely to be our bosses too.
I am NOT about to let someone qualified only as a daily-rated worker make any of those important decisions for me. Those decisions have to be made by people who know enough to know they will never know enough, and yet take action when they do know enough.
Knowledge itself at this level is the Dark Arts. Nothing is certain, possibilities are numerous, sensory input is confusing, conflicting and often inaccurate. Much like the hydra Snape describes, knowledge seeks to beguile, charm, sway, harrass, threaten, and overwhelm (and if all else fails, bore) us because there is so much of it and because it operates according to a multitude of conflicting agenda. And our JC kids have to be trained to handle this kind of uncertainty and still be able to make good decisions anyway.
Our 'O' level reliance on plain vanilla facts will make every hydra head undefeatable. If every head is a fact, then we have to take on the whole monster all at once. To fight the hydra, our tools are logic and reason, values and principles, weilded with surgical precision against the monster facing us. We may not defeat it entirely,but through judicious hacking and slashing, we can cut through enough crap to get what we need of it and get the heck out of there.
This is not easily taught through a textbook. Instead, our activities are more toward research and debate; intellectual defence and attack against opponents who are usually more qualified or more skilled than the students themselves. But through the skilled use of logic and reason, everyone plays on a level field regardless of station, position or seniority. We are teaching the kids to spar and duel against dark forces, and in so doing, we are helping them establish their own identities as responsible and mature adults whom we trust to take over in their time.
In the JC curriculum, there is no better subject than GP (except maybe K&I) to conduct this type of training in. I don't blame the kids if they find the going tough. It is.
We often tell the kids that their future is in their hands. But we teach them because of a more fundamental, self-serving reason: our future in in their hands. They'd better be good hands, so we'd better train them well.

Tuesday, May 12, 2009

4 days to...

Curtian is so close now. Continuing to be amazed at what the kids are putting into this production. The set is entirely handcrafted from recycled materials, and the small army of stagehands that materialized overnight blew me away. They're quite clueless right now, but they're taking on a steep learning curve to be ready in a scant couple of days.

Online album updated with more rehearsal pix. Check 'em out!

Monday, May 11, 2009

5 days to curtain



Drama Night 09 Rehearsals

It may have been the Vesak Day off in lieu, but since it's curtains up this Friday it's business as usual in the theatre with rehearsals and tech. Kids including the full AVA crew are working hard and making me work just as hard with them.

Tix are already on sale at $6 a piece. Come get 'em while they're hot!

Sunday, May 10, 2009

New Trek

After many repetitions, a tale takes on a life of its own. It evolves and the original premises get all hazy, but that can be a good thing because after many decades of same old, same old, we get a fresh new look and a fresh new perspective on what has long become familiar -- and tired.

In "Star Trek" -- that's right, not Star Trek XI and sans any pendulous subtitle -- we get to see the crew of The Original Series (TOS) as young, rambunctious cadets before they take command of the most famous starship in all of sci-fi. Youth brings such energy to the characters many of us have grown up with. Combine that with CGI and a director who has taken the liberty to reinterpret the canon without messing up its spirit makes for a terrific summer action flick.

Barely out of their teens, Kirk and co. face down a threat from the future led by a maniac who weilds a technology that matches his thirst for genocide. If that was their first mission as cadets, no wonder their subsequent voyages hardly raised a Vulcan eyebrow in comparison.

While this retelling doesn't stinge on all-phasers-firing ship-to-ship battles, the carnage is an extension of the very human need to cope with the pain of loss. All the major participants in this battle have lost someone they hold dear. They either learn to cope and perhaps become stronger for it; or they lose it completely, transferring their pain to others.

It's a great set-up for a story, but the events depicted in this movie will not gel with conventional 'Trek continuity. It is clear that because of people from the future tampering with the past (JJ Abrams being self-referential here?) the timeline has changed, and the young Uhura herself makes a point to state that what this crew is experiencing is indeed an alternate reality.

Yet even in this alternate tale, it's only minor events (if we can consider the destruction of a whole planet as minor) that have been irrevocably changed, but the Enterprise (NCC-1701) and everyone on board remain true to their character. It may be more action-packed no doubt, but it is still a exciting Star Trek story.

Will we get to see more adventures with this new young crew? I'd like that. It's a promising beginning.

Saturday, May 09, 2009

I are milo dinosawr!

I are milo dinosawr! Hear me rawr!

Some sums

Now I understand what "breaking even" means when drivers go about buying their next car. Simply put, it's the difference between what you owe the bank for your previous car and what the dealer is willing to pay for it as a second-hand car.

The amount I got for M2 not only paid off my existing loan but also went towards a significant portion of my downpayment for the new M2. So my initial capital outlay for the new car wasn't that much after all. What I did pay for was a reduction of the loan I would be taking from the bank so that my monthly installment for the new car is just a little lower than what I am currently paying.

Ok. Too much math. But it does show that it's a lot easier to buy a car when you already have a car.

Friday, May 08, 2009

Director's cut

Got interviewed on my own camera by my own publicity crew. They're making a "behind-the-scenes" video for Drama Night and wanted some short quotes to splice in with the rest of the footage.

It wasn't easy for me to say in just a short quote what I felt about Drama Night this year, and I think I mangled my interview. There are so many people to be appreciative of: from coach, to cast, to crew, to directors, to publicity, to Sha, my partner in crime.

I've been amazed by the organizational capabilities of the club members, and how resourceful and innovative they have been in getting all the help they need to run this show on their own, with me, Sha and Tina taking something of a back seat and only stepping in to offer guidance and support. It hasn't meant a reduction of our working hours, but it does mean that the kids themselves are making the major production decisions, from organizing their own auditions to building the set to even enlisting the support of the AVA crew who have been working flat out with us since yesterday. First time ever, AVA has been so supportive of Drama Club efforts.

The actors and crew have been dedicated to their task even though many of them are actually sub-cons and not actual Drama Club members. All of us are stretched quite thin by now, all keeping late nights as we have been rehearsing, revising and rehearsing again these past couple of weeks. And as of now, there's just one more week to endure till showtime!

But it's going to be a very long week. While the kids' forte is in organization and administration, they still have to make a quantum leap in their stagecraft and overall watchability in the next few days. Things are still looking pretty rough onstage, especially now that we have started rehearsing on site. From what I see from today's rehearsal, we need a miracle to get us ready in the one week remaining. But I'm still confident because miracles have happened before and there's every reason to expect they will happen again.

There goes the hamburger

Hurray! A triumph for animal rights. More surprisingly, the activist happens to be the victim herself! Way to go, Molly! Those stupid carnivores let one slip after all.

I heart NY!

Thursday, May 07, 2009

Another head-scratching class discussion

I wonder if we've got our concept of school ranking correct? We accord top ranking to the schools that deliver the highest 'A' grade percentage. Shouldn't it be that the top schools are the ones with the highest failure rate instead? That would indicate that the top schools are operating at the highest possible standards and expectations for their students, and that just passing alone is a real challenge. Pass the best, fail the rest -- that would be the true measure of an elite school.

Doesn't a high passing percentage mean that our standards are so low that anyone can pass? We just don't give failure the respect it deserves and, as a result, our students still haven't a clue what being challenged means. Does that mean we are sending our graduates and scholars out into the world unprepared?

Now, how am I supposed to address this conundrum?

Wednesday, May 06, 2009

Goodbye and hello

I suppose it was too much to hope for, but my bid for a COE was successful. That means my days as M2's owner are numbered. Well, they were numbered anyway, but now the number has reduced to a very small digit, and it's happened much earlier than expected.

I hate goodbyes, but perhaps M2 will find a better owner on the resale market. One who won't bump him around so much and will wash him more often. As for me, it's time to make a new friend.

Warm fuzzy

The days are hot. Combining that with our humidity, we are being slowly steamed alive. No doubt our energy bills are going to rise as we rely increasingly on air-conditioning to keep cool.

But the past few nights have been most glorious for sleeping cosily snuggled up under the sheets. Stormy, rain lashing down, wind howling through the gaps in the windows, giving us good reason to overstay our welcome in the land of zzzs.

Sunday, May 03, 2009

Pyongyang tea party

I'm in a parable-telling mood. Nothing like oversimplifying complex issues as if I'm talking to 9 year-olds about the way the world is. Anyway...

Because of the North Korean missle test not too long ago, one of my kids asked me why we view NK with such suspicion. Let me explain it this way: Mostly, it's a matter of trust. NK fought a bitter war against the US over communist vs democratic ideology and officially there has not been an end to the hostilities even after 50 years.

NK still believes it is at war. It's just that it hasn't acquired the necessary technological advantages to win it yet. The US and pretty much the rest of the world are certain that once NK is ready with its war waging capabilities, it will end recess-time and start the war again.

For the world, it's like everyone's at a tea party, makin' nice with one another, while in a shadowy corner one of the guests is muttering to himself and playing with steak knives. Not too comfortable a feeling, is it?

So they're waving chicken wings and hors d'ouvres at him hoping he'll put the knives down and play nicely with everyone else. Sad thing is, he thinks that the only way he's going to get any food at this party is if he keeps pretending to talk to himself and play with knives. And when people start to ignore him again ('cos he grates on their nerves after a while) he gets their attention again by playing with bigger knives. Don't you just hate guests like that? Yet, you feel really sorry for him at the same time.

Trust me, I've been to parties like that before. Ooh... shiny. pointy. things...

Anyway, Mel Gurtov of Time has a theory on why NK behaves so strangely. Check it out here.

Thanks for providing the link, Amy!