China ascendant?

Two trends have pinged for me recently. The first is the massive uptick of players of video games made by Chinese developers corresponding with the equally massive decline of players of American-made games. "Black Myth Wukong" (BMW), based on Chinese mythology featuring the Monkey God as the protagonist captured hundreds of thousand players on the Steam platform compared to American releases which were struggling to get tens of thousands of regular players. Big budget multi-player game, "Concord", even shut down after a few weeks of launch due to lack of player interest. Game Science, the Chinese developer of BMW certainly seems to have made monkeys out of its Western competitors.

Recently (and ironically) another Chinese developer, NetEase Games, has captured much of the gaming market with its release of "Marvel Rivals" making use of American publisher, Marvel's, widely renowned characters like Captain America, Hulk, Thor and a host of other household superhero names with more promised every new season.

One simplistic factor for the popularity of non-American video entertainment is that foreign developers are not hamstrung by activists insisting that diversity, equity, inclusion, or DEI, has to feature in popular entertainment so as to not exclude people who do not conform to mainstream stereotypes. Now, although I believe that DEI is a noble agenda, the numbers are telling us that people who qualify as DEI do not represent the market that buys and plays video games. The vast majority of gamers tend to be vanilla mainstream people who like their game characters to be identifiably mainstream with few but very clear distinctions that help us tell one character apart from another. For example a clear male-female dichotomy with males exhibiting a more angular body shape, and females with softer, rounder curves. Easy. There's no need to delve into any character's sexuality or preferences which is of little relevance to a game in which people are shooting each other for fun. Besides, if I were to be shooting at your character who is exhibiting identifiable DEI characteristics, wouldn't my intentions be even more actively discriminating?

Anyway, insisting on a DEI agenda in video games is ultimately self-defeating from a marketing standpoint. People who identify as DEI, are identifying themselves apart from the mainstream. It makes little sense to push non-mainstreamers into the mainstream. It's confusing for everybody. DEI individuals pride themselves on embodying very unique characteristics that distinguish them from everyone else. Distilling character types from such a wide range of unique qualities creates character designs that at best only partially represent a person, so a DEI person is unlikely to see themself fully reflected therein. But the stereotypical male-female body shape is a silhouette that anybody, DEI or not can see themself in as it is the lowest possible common denominator. So there is little to gain from fragmenting the market and chasing after the smallest demographic that may not even exist. And then be shocked and outraged when games that target the widest possible audience do so much better at attracting players.

But depending on the game, character design may not even be a key issue for a game's success or failure. Although I'm not playing "Rivals", I'm playing "Path of Exile II", an isometric ARPG in which my avatar is relatively tiny in comparison to the playing field and is constantly lost in explosions, fog, and other battle effects. My current character is a female witch (player classes have no gender options), but her body shape is not of any prime concern as the idea is to layer her up in protective armour so it really doesn't matter what she looks like. As long as she can kill things fast, keep a forward progression, and find gear upgrades, that's all I care about. Is the game fun to play? Yes. That's it.

This one has gone on for much longer than I intended. I'll cover the second trend in my next post. Stay tuned!

Sleep paralysis demon

This face belongs to my newly-acquired sleep paralysis demon. One night I had a dream that made me annoyed and angry. I don't remember the details, but I remember the emotions I was feeling when I suddenly woke up. Sir, you are sleeping on my chest and stomach. Your chubbiness is compressing my insides, making breathing difficult while limiting my range of movement which I like to enjoy, even when asleep.

That was a couple of weeks ago, so why am I posting this report now? Because since then, I have been waking up to this face at all strange hours of the night as since he's done it once, he feels entitled to do so repeatedly. No more. Your new career has been terrifying and short-lived. You threw up on my carpet and my mattress, so now you are summarily banned from my room. So instead, he's taken to jump scaring me awake with the Song of his People, lamenting the injustice of revoking his privileges for no good reason. Excuse me, sir?

SU-METAL wins Metal Awards' Female Metal Singer of 2024

 

This news is days late, but I was waiting for a video I could make a link to. Suzuka Nakamoto a.k.a. SU-METAL is Metal Awards' Female Metal Singer of 2024 after winning a year-long ballot by a landslide. The video cites the openness of the Metal community is becoming more inclusive of new, innovative variations within the genre, and how BABYMETAL's blend of heavy metal and idol-pop has opened up to the world a new way to appreciate Metal music. Agree and agree.

SU-METAL has forged an over a decade's long bond with a growing fanbase who really love her and BABYMETAL so much that they care enough to actually vote. Consider that the total number of votes cast for Female Singer at nearly 100,000 is double that for Male Singer at 50,000. Voting matters. When I cast my vote last year, SU already had a commanding lead over her rivals, so I knew that this fanbase was unparalleled among other female-fronted metal bands. Give her more chocolate to keep her (and MOA and MOMO) working hard and happy at making great musical productions for us all!

Certified roadworthy

Today was all about getting M2 ready for 2025. I'd originally planned to get everything done over the next few days, but because of good timing and a convergence of locations, M2 is physically roadworthy for another season of zipping around town.

Although a little premature, we went to the dealer for periodic servicing. Here's where I learned something new about car tyres:

It's upside down, but the last two of the digits encircled by this oval shape tell of the year of manufacture: 2021. The preceding "20" means it was manufactured in the 20th week of 2021. The mech told me this so that if I ever need to get an after-market replacement, I can insist on purchasing new stock instead of old.

In the afternoon, we went to our bi-annual LTA inspection which we had to pass. That's the other reason for today's servicing -- to get everything pre-inspection ready. Among other things, brakes, emissions, drift, and alignment were all parts of the test, and we got a clean bill of health which will last another two years.

The next thing was to get the new ERP 2.0 On Board Unit (OBU) installed. Coincidentally, I could get it done at the test centre itself. I actually planned to get it done tomorrow at an authorised agent I'm familiar with, but since I could get it done today, why not? One odd thing is that I should have been notified of my 2-month free installation window period, but that notification never came. It was only because of curiosity that I checked a couple of days ago and discovered I was eligible. Had I missed this window, the cost would have been mine to bear, and that would not have been nice. 

Anyway, now I have a GPS-looking device permanently glued to my windscreen, and that's just the touchscreen display. I turned off the annoying huge-ass digital clock display, preferring this mostly blank screen. With this thing installed, M2's movements are constantly and persistently tracked by overhead satellites, effectively wrecking his potential as a getaway car. The touchscreen will now give me real-time traffic updates based on my location, kind'a like Waze, but since the sats are tracking every vehicle on the road the info is spot-on accurate.

What remains is to get the necessary documentation done: renew insurance and road tax. Since the systems are all online, that will be easily done. Tomorrow. Correction: Done.

Going with the 'Flow'

The first time I watched this trailer, I was instantly hooked. But being a more arthouse project, the film got a very limited run. Glad I got a ticket to today's screening at The Projector -- and the very first time I took advantage of the senior citizens' price.

'Flow' is a beautiful piece of storytelling. There isn't much of a plot but a journey as we, the audience, literally follow the flow of wherever the story takes us. In a world seemingly left behind by the human population, our protagonist, the black cat, lives a relatively comfortable life in an abandoned house probably once occupied by a sculptor with a cat obsession. For some reason -- which isn't important since cats don't ever ask 'why' -- the world is flooded in a deluge that drowns all but the tallest of peaks. The cat is able to swim to a boat cast adrift, only to find it is already occupied by a capybara. Thus begins the tale of a boat that eventually collects an odd assortment of stranded animals: a materialistic lemur, a golden retriever, and a heron secretary bird injured while protecting the cat from hostiles.

The animation is smooth, and while it betrays computer graphics, the style looks like every cel is painstakingly painted. Each animal behaves like it should, and anthropomorphizing is very limited to how the capybara, heron, and to some extent, the cat quickly figure out how to steer the boat using the rudder. Through the journey, we are treated to scenes of bravery, compassion, heroism, generosity and of course, conflict, as this microcosmic Noah's Ark learns to trust one another and eventually care for each other.

What I also love about this movie is that there is no human dialogue at all. Each animal makes its own sounds, but meaning is communicated through tone and body language The artists must have studied the movements of each animal carefully, and faithfully reproduced them convincingly on screen. As I'm watching them, I'm also thinking about my animals at home. Would they be able to survive as ably if their human owners unexpectedly disappeared?

There's an obsession over mirrors and reflections as a recurring theme. Clearly, the movie is an allegory about unity in diversity, and how different talents complement each other when contributing to the greater good. The goldie gains the cat's trust by mirroring its movements, so there is a strong statement that's being made about what we can accomplish together as we navigate the chaos and uncertainty of living in our reality.

But I also detect an undercurrent of caution against selfishness too. The boat picks up a pack of dogs stranded in rising waters, but almost immediately they cause problems for the original crew. Although not outright hostile, there is a conflict over ownership of the things the lemur has brought on board. They also eat all the fish the cat had worked hard to catch. And when their help is really needed to save a life, they bail. While it was a moral obligation to save their lives, there really was no time to set boundaries and conditions before taking them on board.

Overall, this movie is more of an experience than anything else. It moves from one situation to the next. Some are breathtakingly gorgeous, others are tense and ominous. Like the current that keeps the boat moving forward, so too do we go with the flow.

Bekhauf: High energy inspiration by Bloodywood ft BABYMETAL (Pt 2)

Bekhauf official MV has dropped. It's not an anime series but an animation featuring the vocalists of Bloodywood and BABYMETAL in an action-packed battle against deities from both Hindu and Japanese pantheons. The narrative runs parallel to BABYMETAL's Karate: forced to fight, the protagonists hold their own against fearful opponents, they suffer a setback, they focus on rescuing one another before combining forces to finally win. Interestingly, the stakes are not exactly life and death but for the respect of the antagonists. In this sense, adversity is a test of resilience and being able to count on each other in a fight to the end. 'Bekhauf', according to the subtitles means 'fearless', but it's more like being undaunted, not reckless.

Musically, the track is a (head)banger. It's full of high energy and a driving beat, great for a cardio workout or an on-the-road playlist. It doesn't have a catchy hook -- that is, I've watched the video a couple of times now but if there's an earworm in there, I haven't got it yet. On the whole, it's great to listen to, but offers little to crowd participation, though this is only my first impression. While the end credits list KOBAMETAL as the Producer, this track sounds more like a Bloodywood piece than a BABYMETAL one. That's not a bad thing. I like the diversity in the metal, pop, rap, electronica combination, the encouraging storyline of the video, and I got to listen to Bloodywood for the first time.

Bekhauf: High energy inspiration by Bloodywood ft BABYMETAL

The ladies of BABYMETAL have turned in yet another collab, this time with Indian metal band, Bloodywood. As of now, the full audio track is available on Bloodywood's channel. Anxiously awaiting the full MV drop which, going by past experience, should be by about midnight tonight.

Meantime, I'm posting the YouTube trailer link which is very anime inspired. The catch phrase is "fear is a choice (but the choice is mine)". This concept and the music sound more serious than dance poppy. The track is mostly metal featuring a lot of male harsh vocals amidst a driving, relentless heavy rhythm with what sounds like SU's clean vocals seemlessly blending in to smoothen the tone, backed with MOA and MOMO's harmonies. The ladies' voices are rather electronically processed, perhaps for an ethereal effect, contrasting the grounded and growly male voices. The bridge features a clear traditional stringed instrument, though with the electronic effect it's hard to tell which one. Drums out, SU gets a beautifully rendered verse to herself. This is one high energy song meant to inspire and encourage, like "Leave It All Behind" but with less didactic lyrics. Well, less didactic English lyrics, anyway.

Have to tune in again later to match the visuals to the audio for a better picture of what this collab is all about. I don't know what "Bekhauf" means, and for now I don't want to find out. Could this song be the intro to a new anime series? The trailer suggests a story that could be epic.

Katsu craving

Had a katsu craving, but didn't feel like going to the usual place and wanted to try somewhere else. Wandered around Takashimaya's basement food offerings and found this place, Kimukatsu. Just what I was looking for.

A healthy chunk of breaded pork, crispy on the outside, tender inside. I like that when I order the garlic option (original, cheese, and garlic being the top sellers according to the counter guy) it isn't shy on the garlic. I also like that the sauces come in dipping saucers, and not slathered on top so I get to control how much or little flavour I want in every bite. Left is teriyaki, right is shoyu, if I'm not mistaken.

What's unique is the rice that comes individually portioned. It's a nice touch to have a staple that isn't dished out of a generic pot but rather is specially cooked just for you. Please don't make the mistake of eating the rice directly from the wooden steamer and make a mess. Take the extra step to scoop it out into the empty bowl provided, like a civilized person. Thank you.

Honestly, I initially thought the pork may not have been enough for the amount of rice served, but taking polite bites and alternating the meat with the shredded cabbage and pickles, the whole set proved just right. I wish they'd also provided a napkin to deal with cabbage whiplash, but there was a box of facial tissues fully on display on the counter, and not difficult to reach for, at least from where I was sitting.

Finally, the matcha was more robust than I expected. More like a proper beverage than a tea. Maybe it's because when ordering I said 'matcha' instead of 'green tea'. Would that have made a difference? Anyway, it was a satisfying finisher to lunch.

Nice to have a second option to the usual, with comparable quality for a marginally lower price too.