DESS is a remake of the 1951 movie of the same title, with roughly the same message: to stop our nonsense (violence, resource depletion, pollution, you name it) or be exterminated as a favour to the rest of the species who share our planet. It's parallel to the biblical tale of the Ark and the Flood in which the whole earth gets scrubbed clean of the mess people have made of it and then life gets to start afresh all over again.
Interesting enough premise, I suppose, but where things go wrong for me is the misplaced sense of scale in the struggle to convince Klaatu, the alien... um, assessor being, that humanity still has a chance to atone for ourselves before the "Flood" washes us all away. Given the impending disaster is global in nature, it does not make much logical sense for Klaatu to base his judgement simply on the behaviour of the two individuals he has made some meaningful contact with.
Statistically, the sample size just isn't representative enough of the entire human population to make that kind of a decision. Nor is the time scale sufficient -- what, 24 hours? -- to make such an earth-shattering pronouncement on the people of the earth. For a being representing many advanced civilizations, Klaatu seems a bit over-anxious to make up his mind about us.
OK, I know it's pointless to argue movie logic, but there isn't much excitement to carry us through either. Klaatu (and his bodyguard, the 40 foot tall cyclopean G.O.R.T.) represent an unstoppable force none of our terrestrial weaponry and technology has any effect on. Herein lies the big cosmic double standard: Klaatu say you all play nice with one another and with me, or G.O.R.T. will unleash such violence upon you the human race will not survive to see another day. So really, he who carries the biggest stick gets to walk the softest of us all.
It doesn't help that Keanu Reeves has finally succumbed to all the jokes made about his acting and has been cast to play the entirely wooden, expressionless Klaatu. There's a role written especially for him! I couldn't connect with him, nor any of the other characters so I didn't particularly care how it all would turn out in the end. That, I think, is the greatest tragedy in this script.
On the plus side, dinner was quite enjoyable. The Mussel Guys at Vivo serves up a fabulous cast iron pot of steaming Belgian Mussels in white wine sauce. Never before have I had such succulent mussels in such a potent soup -- all garlicky and almost herbal in flavour. There's a 2-for-1 deal for Citi card holders this season, but too bad neither I nor June have one. The accompanying seafood pasta we ordered was so-so, but at least now I know where we can get good mussels. Yums!
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